“What weapons do we choose to pursue justice in the hardest times?
Victoria Amelina, Looking at Women, Looking at War
The memoir “Looking at Women, Looking at War” is one writer’s journey to answer this question in the face of occupation and war. Victoria Amelina, children’s literature author and mother to a young son was confronted with this question on February 24, 2022 when Russia invaded Ukraine and her world was upended. The resulting memoir is her experience as a war crimes researcher and writer reconciling with her own identity and the “forever endangered Ukrainian culture”.
An honest and intimate chronicle of her own experience, it is also of other extraordinary women in the resistance. Women like Evgenia, a prominent lawyer who were colourful clothing to court, but now carries a gun at the frontline. Oleksandra, her friend and mentor, who documented tens of thousands of war crimes and won a Nobel Peace Prize in 2022, though not one of her hundreds of cases went to The Hague in the seven years prior. The finer details like this sucked the air out of my lungs while reading. This book offers brilliant insight into the experience of women in and at war, but it is also contemporary evidence of Russia’s criminal attack on Ukraine. It is undeniable yet it continues.
War is absurd and relentless and evil, a continuing slog of noise and death. Victoria Amelina captures the unspeakable despair and moments of joy that are the experience of war. It is an assault on the senses and in juxtaposition she writes of feeling disconnected and worn out. Body tired from the trauma and grief. Oleksandra tells her to take time and put cream on her face but to really feel it before she does anything else. How often do we do something similar? This sensory experience is a return to another time and a centring moment before she returns to recording war crimes and atrocities.
This book could so easily be a litany of awful events pieced together, but it is instead a raw and lyrically beautiful account of a woman making her way in a world of war, attempting to create a path for justice. The awful things are alluded to but Amelina is a writer of grace and compassion, the reader can understand the allusions to violence and sexual assault without needing the details.
The manuscript is unfinished. Victoria Amelina’s life was cut short by a Russian missile attack and she died on 1 July 2023. There are sentences left undone because of her death. Fragmented notes tell of awful Russian actions, like the small bit of a master’s work that could be seen on a FaceBook photo, posted by the Russian soldier who stole it Half of a sentence tells us about the death of a man miraculously rescued in another chapter. I had to stop reading and watch the crows in my favourite tree for a while after that. There is no ledger of fairness in war.
Amelina reveals the bleak despair wrought by the violence of war and the fear of being close to death so that we can understand the small ways people are trying to retain their humanity in the face of war. The bag of walnuts a mother gives to Victoria after their interview. The reader is brought into the group of artists trying to save a snag beetle found on the sidewalk,their attempt to save an inconsequential life after the gut punch of learning about Volodomyr Vakulenko’s abduction by Russian forces. His death is a terrible thread woven through the novel and each time we are reminded that Amelina was writing about friends and colleagues. She is not simply an outside observer in this conflict.
Reading this makes me consider what I would do if my country came under attack and I had to face the reality of war crimes and terror. Would I be brave and charge into the war zone to document the horrors done by the enemy? Would I find a sturdy basement and plead with my neighbours to find shelter with me? I should hope so, and I think we can hold on to what Victoria Amelina says here: “No choice made by those who want true justice is easy, and for most of us, the outcome of our battle is still unknown.” (p.10)
Victoria Amelina’s roots as a storyteller can be found “Looking at Women, Looking at War”, evident as she set out to chronicle the lives of extraordinary women. In writing about the people in the embattled Donetsk region, we’re invited into her inner world and what made her courage necessary. Such is the cost of resistance.
Recommended to readers who enjoy history and women’s literature. The memoir requires patience, broken sentences will never be fit together, we won’t ever have answers as to what she intended in some sections. The tragedy of war exists in these gaps. “Looking at Women, Looking at War” will be be published 18 February 2025 and available at all fine retailers and booksellers after that date.
For further reading, check out Hunting for Vakulenko to read more about the poet and his abduction and murder by Russian forces. A murdered writer, his secret diary from the Guardian provides further context about Vakulenko.
Joy Reads Books 